KAIJU DISPOSAL

Click a part of the carcass (a leg, the head, a stretch of tail, the glowing core, the gut) to put it on the foreman's board. The board holds two next cuts, and a free saw crew takes the next one, so you choose every cut as the crews free up. Trucks fill up at the kerb and haul to the buyers: bone to the museum, hide to the tannery, glands to the lab, horn to the carvers, the isotope core to the reactor. Fresher parts pay more.

The body is the clock. Every part rots, rot raises a stench, and the stench costs the city's patience. The core heats the body around it so it rots faster, and the gut fills with gas and bursts across the street if nobody vents it or cuts it out first.

Things happen mid-job, on a banner with a clock: a buyer pays double for one material, a news crew films one piece (cut it in time and the city calms down), the gut rumbles, the core flares, the sun comes out and the whole body rots faster. Each one can change which cut should go next.

Every carcass is generated: seven body plans, ten species, and their hides, markings and backs, so no two jobs look the same.

Between jobs, hire saw crews, trucks, vent crews and decon crews, and buy nine upgrades: bigger trucks, lead-lined skips, a crane, a vent rig, a rail spur, decon foam, a cold store, a lab contract and the harbour barge.

Twelve contracts make the campaign, from a small lizard in the market to the largest carcass the city has ever seen, across a wider dock street. The bigger jobs reach the firm later, so their bodies arrive already turning, and they come with conditions (a heatwave, a hot core, a bloated gut, crowds, rain). On those, a careless cutting order can lose the job. A campaign is about seventeen minutes of job time at normal speed, plus the time you spend in the yard.

Controls

Mouse: click a piece to order it cut, click it again to cancel. Space, P or Esc pause, S opens the shop, 1, 2 and 4 set the speed, M turns the sound off and on, the arrow keys or a drag move the view on the largest job. On a phone, tap a piece, and drag anywhere to move the view on the largest job (a drag never orders a cut); held upright the street turns to fill the screen, held sideways you see all of it.

The firm saves in your browser after every action. There is no game over: if the city loses patience, the army finishes the job, the firm loses some reputation, and the contract is offered again, with the city a little more patient each time you try it.

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